5 December 2012
1 November 2012
Cheshire Textiles @ Farfield Mill
Phew! Just over two weeks to go and all my pieces for the exhibition have been photographed, tagged, wrapped, packed and recorded on the gallery stock sheet; all six are waiting to go! This process is quite demanding and can take considerable time but there is an air of excitement, wondering what the exhibition will look like and hoping all the pieces will be selected. It seems a long time ago since we visited Farfield Mill to look at the exhibition space and decide upon the title 'Conversations with Water'.
The Howgill Gallery is a lovely space with a variety of areas for presentation; this has encouraged some of us to move out of the frame and be influenced by the challenges of the gallery. Not only will our pieces be for sale but we have also been making cards and smaller items, all of which will make excellent Christmas gifts. Worth noting that Farfield Mill has one floor devoted to the work of local artists and together with a good quality cafe, it makes a great day out; who knows, you might find the perfect Christmas present! Jen
Exhibition runs 17th November to 31st December 2012
Opening Times - please check the website www.farfieldmill.org
26 September 2012
David Nash at Kew, A Natural Gallery
![]() |
| Nash's workshop within Kew |
![]() |
| Inside the Temperate House |
![]() |
| Eucalyptus Block |
![]() |
| Hiding in the Temperate House |
Sadly, I didn't feel it delivered, it failed to pack a punch; some of the work seemed rather contrived and a bit insignificant within the setting of Kew, they did not achieve what the Henry Moore's had done.
Hidden amongst the plants in the Temperate House were several small sculptures, some beautiful, like the image above but I felt they had no empathy with what was around them. The majestic chair like sculpture, in its' own space had room to breathe and be admired. The warm damp conditions present will change the wood and this in itself might make it worth retuning to see what happens. At the entrance to Kew stands the wonderful Eucalyptus Block, four trunks that have fused together creating a fascinating centre to peer through. Is this Nash or is this nature?
The Wood Quarry is Nash's outdoor temporary studio, with two upturned tree trunks that can't fail to bring a smile. He claims he responds to what the wood suggests and has more recently cast his pieces in bronze; an interesting development and very difficult to visually distinguish between blackened wood and the bronze, as every mark and knot seems to be beautifully captured.
It was good to see the Sherwood Gallery which puts it all into context with drawings, photography and more pieces. Overall, it makes for a lovely day out and it does encourage a closer observation of the trees but perhaps Kew is just a bit too big for some of the pieces to make their presence felt. Jen
29 August 2012
'Voices Plus' at Waterside Arts Centre, Sale
'Voices Plus' until 13th October
Waterside Arts Centre, Sale.
An exhibition from the International Quilt Art group, showcasing new work by members from the UK, Ireland, Belgium, Hungary, Germany, The Netherlands, Denmark and USA.
The exhibition shows a wide range of work which really extends the boundaries of quilting. Some pieces use more traditional techniques of quilting but extend these by using combinations of print, stitch and collage. Others barely use quilting and incorporate applique layering and even paint to create textures and different surface qualities.
Content and scale vary from large, more heavily stitched hung pieces to a delicate 3D fan construction which lies in relief on a plinth.
A delightful variety of work of a high technical standard coupled with creative use of materials and ideas.
Highly recommended. Sue.
22 August 2012
Turner, Monet, Twombly
Exhibition at Liverpool Tate until 28th October 2012
This is an amazing exhibition which brings together the later works of three diverse painters from different eras which range from late 1700's to 2011. It shows the work of Turner, Monet and Twombly, three pioneering artists who certainly in their time pushed the boundaries of painting.
The exhibition is divided into seven themes which show the similarities in which the artists, despite the periods they lived in, use colour, brush strokes, atmosphere and subject matter to create visual splendours. The works vary in size and subject matter but are displayed in such a way as to create a dialogue where the three converse across the centuries. Through the juxtaposition of their work the exhibition also aims to underline not only how modern Turner and Monet were but also how Twombly used many classical themes.
Visitors will see the usual Monet's Water Lilies and Turner's London scenes but trhey will be looking at them in a different way and in a different context.
Do go to Liverpool and see the exhibition, it provides a new and very different experience. Sue.
10 July 2012
Royal Academy Summer Exhibition 2012
| Richard Spare 'Goldcrest' drypoint and watercolour |
My favourite room as always is the sculpture, installed by Alison Wilding. This too had a new layout with a greater concentration of pieces down the centre of the room, displayed at different heights. With such a wide a variety of materials and no connection beyond being 3D, the initial impression is more 'junk shop' than RA but look closer and spot the gems. David Nash's burnt oak with its' velvety texture and pleasing shape, Lucy Glendinning's 'Feather Child', Dido Crosby's bronze pigmy rabbit and Nuala O'Donovan's layers and layers of unglazed porcelain beautifully arranged to create a basket like form. So many beauties and then of course the challenging ones like Harriet Aston's brown paper bag with 'moon gold' ....why??
This year I felt there were more textile related pieces and particularly good to see Caren Garfen and Effie Jessop expressing their thoughts with hand stitch. Two beautiful, cast conctrete posts resembling driftwood and enhanced with fibres - Eleanor Wright, would stand proud in any textile exhibition.
This year I felt it was an an excellent exhibition. Where else can you see the work of Royal Academians and there is plenty of their work on view, hanging next to that of amatuers? Jen
Royal Academy of Arts Summer Exhibition 4th June - 12th August 2012
25 June 2012
Conversations with Water
Conversations with Water
June, the month of festivals and the longest day, we anticipate summer flowers bursting with colour against a backdrop of blue skies and warm sunshine but what has June 2012 delivered? Rain, rain and more rain. A relief for the south of England in that reservoirs are reasonably full again but for others too much rain has meant severe flooding and all the misery that goes with it. Without a doubt the topic of water in some form will have cropped up in conversations throughout Britain.
'Conversations with Water' is the title and theme for our next exhibition at Farfield Mill, Sedbergh in November. It was chosen for the connection between water and the woollen mill and not the rain but it will be interesting to see if the wet weather has influenced any of the work!
Exhibition runs from 17th November - 31st December 2012
Subscribe to:
Posts (Atom)











